"Read an E-Book Week" Begins March 4

Beginning March 4 through March 10, to celebrate READ AN E-BOOK WEEK, download any of my Smashwords stories for FREE.


Click on the title links below to go to Smashwords for download.

Xs and Os

This Pushcart nominated story takes place in Arkansas during World War II. When Jubie Lee Franklin meets Sachiko Kimura, they find though their skin color is different, they have something in common.




 
 
 


The Red Kimono
 
Life is pretty dull at the internment camp in Rohwer, Arkansas. That is, until Sachiko meets Jubie Lee Franklin. Two girls couldn't be more different. That is, until something magical happens.




 
 
 



Sacrifice Rock
 
What happens when three brothers spend the day with frogs and war games? Nothing but trouble!

Captain Josie and The Whale


Josie knew her life would change when she left California for Alaska to study whales. But little did she know just how much. 

Telling Tuesdays 01/17/12

Welcome to Telling Tuesday, a day reminiscent of those in school when I looked forward to seeing what everyone brought for show and tell. This weekly feature was inspired by an article on WriteToDone.com, called "How to Show (Not Tell): A Writing Lesson from John LeCarre."


It is one of the best articles I've seen on the rule all writers know--show, don't tell--because it doesn't just tell us how not to tell, it shows us some of LeCarre's very own examples.

" . . . descriptions can set the scene, convey the inexpressible, and turn the reader into a witness, instead of remaining a mere bystander." -- Mary Jaksch, author of the article

Each week, I'll give a "telling" prompt, and invite you to show us, to make us a witness, not a mere bystander.

THIS WEEK'S PROMPT:

I'm out of town today, so have not yet written my "showing" for my prompt. But, I'm looking forward to reading the variety of senses you use to "show" me stress. Not that I need it. :)


I'll have my tale posted by tomorrow.

She felt stressed when she noticed the time.

Flooded With Moonlight

Unmoored in midnight water,

No waves, no wind--

The empty boat is

Flooded with moonlight.

                    ---Dogen

Though this quote by Dogen brings a note of peace, it arrived during a perfect storm.

I came across the quote a few days ago. I wasn't surprised I liked it--after all, it projects a beautiful image. But I was surprised at how it has drifted in and out of my mind several times since reading it. "Why?" I ask myself.

Recently, perhaps due to the New Year, the winds of previous discussions with my writerly friends have whipped up--discussions on the challenges of balancing the highly-preached importance of social networking with the actual act of writing. Balance? What's balance? For me, I must admit that in the last several weeks, my social networking time has devoured my writing time.

One friend suggested he was addicted to the Internet. Addicted? Could I be addicted, too? Perhaps the very nature of an addiction is denial. Has my "excuse" of needing to build a social presence been a ruse in my own denial?

Let's consider:

1) I sometimes lose track of the amount of time I've spent online.

2) I sometimes feel guilty about the amount of time I spend online.

3) I have trouble focusing on other tasks.

An addiction? Sounds a little too close for comfort. One thing I will admit is that being online is hardly being "unmoored." And there's no doubt that the Internet is rife with high waves and too much wind. The perfect storm. No wonder moonlight has evaded me.

The New York Times posted an article, "The Rise of the New Groupthink," which discusses the new philosophy of "groupthink"--that creativity comes from sharing ideas, brainstorming, etc. (Social networking?) However, research suggests that people are more creative in a private environment, free from interruption. I agree completely. I need privacy and interruption-free time to fully get into my story and my characters. One little interruption, whether it is the tiniest glance at Facebook or Twitter, a nudge by my dogs or a question from my husband, snaps me out of my story's world and back to reality. And, the trip back to Storyland is a far, far distance. Sometimes too far.

So, my -- our dilemma -- as writers is, how do we balance our need for solitary space and time to create, with the (unfortunate?) necessity to maintain an online presence? Obviously, I have not been successful at both -- at least not lately.

So, here is my solution. I'm going to check myself into a detox facility. Well, kind of. I've created an Internet Dead Zone in my house. Is it really Internet Dead? No, it's not. But I'm a writer, and I have an imagination. I've added a sign to the door to my home office:

Every day, I'll check myself into my Internet Dead Zone for at least two hours, where I'll write or edit, and where I pledge not to turn my wireless on.

If I don't suffer too badly from withdrawal symptoms, I'll graduate to an Internet free day, but, as they say, one step at a time. I feel my hands sweating even as I consider it.

Still, I must admit, I'm looking forward to this little experiment. I'll let you know how it goes -- outside of my Internet Dead Zone, of course.

I look forward to being flooded with moonlight. Ah, just the thought of it . . .

Telling Tuesdays 12/6/11

Telling Tuesday. Reminiscent of those days in school when I looked forward to seeing what everyone brought to show and inspired by an article on WriteToDone.com, called "How to Show (Not Tell): A Writing Lesson from John LeCarre."

It is one of the best articles I've seen on the rule all writers know--show, don't tell--because it doesn't just tell us how not to tell, it shows us some of LeCarre's very own examples.

" . . . descriptions can set the scene, convey the inexpressible, and turn the reader into a witness, instead of remaining a mere bystander." -- Mary Jaksch, author of the article

Each week, I'll give a "telling" prompt, and invite you to show us, to make us a witness, not a mere bystander.

This week's prompt came to mind when I watched the first snowflakes of the season fall yesterday morning:

It was snowing.


I'll go first. This is an excerpt from my manuscript, Broken Dolls. In this scene, on the anniversary of her father's death, 10-year old Sachi has been running from something all day, trying to keep a thought from coming to consciousness. Here's part of that scene:

She started to run, as if she could escape the thought. But it was too strong this time. There was nothing to drive it away. It burst into her mind, full force. She stopped. Breathless.

If you hadn’t begged Papa to take you to the park that day, he might still be alive.

Tears burned her eyes. It was her fault. She covered her face with her hands, hoping darkness would hide her from the bitter realization. It didn’t. There was no escape from the flood of emotion. The dam had burst.

Mama had warned them—told them it wasn’t a good idea to go to the park that day. Papa had probably agreed, but he took Sachi anyway.

It was her fault.

If she hadn’t dragged Papa there, those boys wouldn’t have found him. And if Mama and Nobu blamed those boys, surely they blamed her, too. It all happened because of her. Her fault.

 I’m sorry, Papa.

Something cold tingled on her hands, trickled down her collar. She took her hands from her face and opened her eyes.

White flakes drifted all around her. Landed on her eyelashes. Her nose. Her tongue.

Falling, falling.

Softly.

Gracefully.

Unbelievably quiet.

     Snow! Her first snow.


Your turn! I'm watching and waiting to experience your snow scene.

Telling Tuesdays 11/29/11

Tuesday was show-and-tell-day at school, and though I remember the excitement of trying to decide what to bring, what I liked best was seeing what everyone else brought to show.

Yesterday, I found a great article on a website called WriteToDone.com, called "How to Show (Not Tell): A Writing Lesson from John LeCarre." It is one of the best articles I've seen on the rule all writers know--show, don't tell--because it doesn't just tell us how not to tell, it shows us some of LeCarre's very own examples.

" . . . descriptions can set the scene, convey the inexpressible, and turn the reader into a witness, instead of remaining a mere bystander." -- Mary Jaksch, author of the article

This inspired me to start a new feature on my blog, Telling Tuesdays. Each week, I'll give a "telling" prompt, and invite you to show us, to make us a witness, not a mere bystander.

This week's prompt:

The coffee was good.

I'll show you mine, if you'll show me yours:

     The scent grew stronger, richer, with every step she took down the stairway. Rubbing her eyes, she shuffled into the kitchen and heard the rhythmic gurgle of percolating coffee.
     She flipped on the light, then stifled a yawn as she stared at the mugs hanging over the counter. Picking one at random, she smiled at her choice. "Happy Boss's Day," it said.
     As she poured, steam rose from the dark brew and she took a deep breath. To her mouth she drew it, closer, closer, blowing to cool it, anticipating.
     Then, a sip.
     Ah. A morning to relax and enjoy a cup of coffee. The first time in years. For now, she didn't care that she'd been fired the day before.

Okay. I'm sitting at my desk now, hands folded in front of me, and I'm almost as excited to see what you'll "show" as I was back in elementary school. Only difference is, Johnny Winklebuns is not sitting behind me, pulling my hair.

Addendum: 11/30/11

I had to add this picture of coffee in my grandmother's rosebud cup, after reading Keli's comment. Thanks for the memories, Keli!

Morrill's Monday Morning Mashup - 11/28/11

mash-up

A creative combination

or mixing of content

from different sources.

Since this is Cyber Monday, I'll start my mashup with a link for all you Christmas shopaholics. This site pulls together lots of bargain shopping so you don't have to go surfing for sales!

www.cybermonday.com

And now, on to my writerly mashup:

Do you have Klout? No, not clout, but Klout. Have you heard of it yet? Klout measures a user's influence across the social network. I'm not sure if I should admit my score any more than I should tell you my age, weight or bra size, especially since none are anything to brag about. But I will say that since tracking it in October, and reading Kristen Lamb's book, We Are Not Alone: The Writer's Guide to Social Media, it has gone up almost ten points! Here's a link to Social Media Today, which gives a good overview of Klout scores, and why many consider it important today:

The Klout Score: 3 Easy Ways To Become More Influential

However! My next mashup link is posted on Jane Friedman's website. Guest blogger, Christina Katz, cautions us not to spend so much time on branding that we lose the "expressive, evolving pleasure of our natural dynamic."

 Platform and Social Media Must Not Be Your Center 

So, the challenge is to balance our creative branding with our creative writing. As writers, we need to remember where our emphasis should be and write. In the last two weeks, my Klout score has gone up, but don't ask me how many new pages I've written.

Therefore, my last mashup for the week is full of prompts to get your creative juices flowing, posted on a blog by Marelisa Fabrega. It's a mashup within a mashup, with eighteen links to stimulate you to write:

A Plethora of Writing Prompts

I hope these links are helpful. Now all you need to do is decide whether to shop, brand yourself, or create a written masterpiece.

An Interview with Author, Claire Croxton

Nobody is better at mixing batches of snarky humor with dashes of poignancy than Claire Croxton, aka Patty Stith. Her stories and novels are full of three-dimensional characters who are funny, even snarky, on the outside. Yet, she teases the reader by subtly exposing the characters' internal pain. Claire's perfect blend of highs and lows captures every spectrum of emotion, drawing the reader in, page by page.

As she prepares for the release of two books in early 2012 by The Wild Rose Press, I am happy to introduce you to this talented author.

1) You are an artist in a variety of ways--in your writing, quilt-making and cooking. Many people have enjoyed both your writing and your cooking. Both are superb! I'm curious. How would you say writing is like cooking?

How is writing like cooking? That’s a good question. I approach both with the same methodology—total abandon. I’ll glance at a recipe to see what it suggests and then do it my way. Most of the time, the results are edible. I’ve learned to curtail that free-spirited approach with writing. There are guidelines for every genre and if you don’t pay attention to those you end up with a book that isn’t marketable. Of course, I keep telling myself that I’ve created the newest, hottest, bestselling genre,(soul-searching snark) but most likely authors need to get established before they can start breaking rules.

For me, cooking is a mindless outlet for creative energy. I love the challenge of cooking a meal for 10 on short notice—investigating the contents of my pantry and freezer in order to whip up a delectable meal. Writing offers a similar challenge. For example, a scene that needs to convey a certain emotion. I sit before a blank computer screen and let my fingers fly. No real thought to it. Unlike cooking though, the results aren’t always readable.


2) Was becoming a writer an inevitability for you? What was your path to becoming a writer?


Yep. It was destined. My brother taught me how to read when I was four. Both of my grandmothers lived within 2 blocks of the public library and I spent most of my childhood there. I still have my first library card. I got it when I was 6. By the time I was 8, I was writing stories in notebooks and I always kept a journal.

It never occurred to me that I could be a “writer.” I always thought I had to have a real job. So, I taught high school, English and History. When I moved to Alaska, I worked as a grant writer/administrator for years. I loved the job because it combined my two favorite things, writing and project management (I get a perverse pleasure from getting things done ahead of schedule.) It was a very stressful job though and the writing was strictly technical.

One day at lunch with a friend in Anchorage, I was bemoaning the fact that I never got to write fun stuff anymore. He encouraged me to write a book. The thought had been running around in my mostly empty brain for years. He was the right person at the right time to encourage me and boom! Three years later my first books are being released.


3) Your book, The Redneck Ex, will be released by Wild Rose Press on January 20, 2012. Is it true you wrote your first draft during NaNoWriMo? Give us the pitch that hooked The Wild Rose Press editor, Rhonda Penders.

I did write the first draft of Redneck Ex during the 2009 NaNoWriMo. I have the chiropractor bills to prove it. I was writing so much that I lost feeling in my right arm. I was having too much fun to stop. The final version of the story is vastly different from the frenzied first draft, but I loved process.

I started my current WIP, Ex-Ray, during the 2010 NaNoWriMo. I was busy editing this year, so I wasn’t able to participate, but I really appreciate the idea behind NaNoWriMo—setting aside time to give yourself permission to write garbage. Don’t stop. Don’t edit as you go. Get it out there.  Then go back and perfect it.

I described Redneck Ex to Rhonda Penders as: Northern Exposure meets Sweet Home Alabama. I’m not sure if that sold the book or if it was going to dinner with her. It didn’t take her long to realize that the voice in Redneck was authentic. It was either the story of my cousin the rodeo queen or my tale of cooking up a snapping turtle that convinced her I was writing from the redneck experience.


4) Many of your stories take place in Alaska and Arkansas. You've lived in or visited many other places in the world. Santorini Sunset, which will also be released by The Wild Rose Press early next year, takes place in Greece. Any other plans for stories with worldly setting?

Oh, do I ever have worldly plans! The hero in Santorini Sunset, Raul Sobrevilla, is from Peru. I want to do a sequel to Santorini set on Raul’s family’s ranch in Peru. I’m also working on a story, Loch Lonnie, that takes place in Scotland and Arkansas.

And I’m working on two short stories—one set in Japan, the other set in Dubai. The bulk of my stories are set in Arkansas and Alaska simply because I know those places so well. There’s still a lot of research involved to get facts correct, but I can close my eyes and see the settings. That helps speed things along when I’m writing scenes.


5) What's the best piece of advice on writing you've ever received?

I can’t narrow it down to one piece of advice. There have been so many people involved in my writing career who have taught me valuable lessons.

My parents: You can do anything you set your mind to, sugar dumpling. Just do it.

Dusty Richards: If you edit while you write, you’ll never get the damn book finished.

Velda Brotherton: Sense of place…make the reader feel, see, smell, touch everything the character is.

Jodi Thomas: Triumph Comes Through Perseverance

The best writing tip came from my mother. We both make quilts. When you’re working on a sewing project, you stop mid seam so that when you return you know where you are and you can start right back up again with no problem.  One time when I was fussing because I could remember where I was in a story that I’d set aside for a few weeks, she recommended I stop writing mid-sentence.  That little tip has helped me tremendously. No matter how long I’m away from a story, I’m able to resume writing quickly and relatively pain-free.


6)  You recently created Trailer Trash Productions, a resource for writers who would like to create a book trailer. You've produced several beautiful trailers, some of which are shown in this blog. Please tell us about Trailer Trash Productions and the services you provide for authors.

Trailer Trash Productions works with authors to create book trailers that reflect the voice, setting and tone of their books. There are several different ways to approach a book trailer and many different elements that can be incorporated. You can go with a simple slide show with text set to music or you can be as elaborate as making video, composing your own music and narrating the trailer.


Anyone can do her own book trailer. It’s fairly simple, but the problem lies with copyright issues. Going online and downloading pictures from Google Images just won’t work. It’s impossible to know if the pictures you select are copyrighted or not. Same goes for music. Lots of people download the karaoke version of their favorite song, but even that is copyrighted.  Most people don’t think it’s that big of a deal, but if you’re using your book trailer to promote your book you’ll be making money from the end product. That’s going to get those folks whose copyright might be infringed upset.  That’s one reason why hiring a book trailer professional is a good idea. The other reason is producing a trailer takes a lot of time. Wouldn’t you rather be spending that time writing?


Here's an example of a Trailer Trash Productions:

7) What's next for Claire Croxton?

New York Times Bestseller, novels to screenplays to Hollywood-A-list blockbuster movies, vacation home in Tuscany.  Or…I’m getting another batch of feeder pigs whose care will cut into my writing time.  Either way, I’m happy.

Thank you, Claire, for some great insight into you and your writing. It's cold outside and I have a cozy fire and  a glass of wine. Now all I need is the release of your books!

Have a peek at Claire's book trailers by Trailer Trash Productions:

Visit Claire Croxton's blog, Claire Croxton, Romance Author

Morrill's Monday Morning Mashup - 11/21/11

Welcome to my Monday morning mashup, where I post links to information I found interesting or useful in the previous week. Below, I've listed a few appetizers to whet your writerly appetite for the coming Thanksgiving week:

KRISTEN LAMB'S BLOG

Kristen Lamb posts some of the most useful advice and information I've seen yet on social media. I recently purchased her book, We Are Not Alone - The Writer's Guide to Social Media. I am still in the process of reading it. (watch for a review!) but so far, it's full of practical, easy-to-follow information about how to establish an online presence.

The link below is on PLATFORM. According to Kristen, it's not just for non-fiction writers anymore.

http://warriorwriters.wordpress.com/2011/11/16/why-writers-need-a-platform/

______________________________________________________

WRITEITSIDEWAYS.COM

This is a blog by author and teacher, Suzannah Windsor Freeman. I subscribe and I look forward to its emails that are always full of helpful information for writers. Here's a mashup within a mashup -- a list of 23 websites that will make your writing stronger:

http://writeitsideways.com/23-websites-that-make-your-writing-stronger/

_________________________________________________

MYSTERY WRITING IS MURDER

This award-winning blog by Elizabeth Spann Craig regularly posts information that is useful to all writers - not only those who write in the mystery genre. I especially liked this post about what NOT to listen to in a critique. The guest blogger, Anne R. Allen, states:

"A critiquer should tell you what's right with a work as well as what's wrong."

This is something we as critiquers too often don't remember. Here's the link to the post:

http://mysterywritingismurder.blogspot.com/2011/11/9-pieces-of-bad-writing-advice-its-best.html

_____________________________________________________

Happy Thanksgiving! Unfortunately, browsing the Internet for interesting tidbits probably won't burn any calories, but I'll see you next week anyway, with a new mashup!